Close your eyes and think of how creative you are. Give yourself a number from one to ten as one meaning you don’t know what creativity is.
Now that you have evaluated yourself, I can assure you that the number doesn’t matter. The importance is not how much creativity you have, but in a what way you are creative.
Last evening, I attended the PRCA event with Mark Simmonds, founder of Creative Creatures, to learn more about the creative archetypes and the fundamental behaviours critical to the creative process.
As the talk was about creativity, Mark decided to lead an interactive session instead of a boring presentation, and I’m glad he did. Divided into teams, we were given a challenge to help Marks & Spenser make a profit of all waistcoats they have ordered in advance of the World Cup semi-finals. I guess the football fever hasn’t passed yet.
We started by brainstorming ideas on sticky notes and we were presented with the first archetype – The Stimulator. This phase of the creative process is all about fresh thinking and exploring diverse ideas. And seniority doesn’t link to creativity. So, if you have a meeting at work (or at University) invite people with different experiences as they will generate a multitude of initial thoughts. Who knows? You might actually find the Big Idea!
Once we had a dozen of sticky notes with ideas, we had to find interesting connections between them and unearth the big, valuable ideas, which leads to the next type in the process – The Spotter. Being this person in a team is very valuable. You might not have hundreds of initial ideas, but once you go through several “sticky notes” you can spot the potential in one of them.
The third archetype is The Sculptor – the person who can bring the big idea to life by creating tangible solutions and presenting them clearly to the team. Some people have the great skill of turning one thought into a great masterpiece. And in a team, you don’t necessarily have to be the person, who came up with the idea in the first place as long as you can make it happen.
After all teams had written down their big ideas on a piece of paper, we had to go around and vote for the best idea (and no, we couldn’t vote for ourselves unfortunately!). We were in The Selector mode. We had to choose the idea with the most potential considering the commercial impact and the brief. Usually, in an agency or a company, this person would be someone who can make hard decisions and have a view of the big picture.
And finally, the fifth archetype is The Supporter – trying to support the team and facilitate the meeting during the creative process. And this doesn’t mean making tea for the colleagues but keeping the team on track and encouraging them to be as bold and creative as they can be. Because as Edward de Bono said: “Creativity involves breaking out of established patterns in order to look at things in different way.”
According to Mark, people can be a mix of few archetypes and a given situation affects which one dominates. It’s essential to remember that we are all creative and we have a different role in our teams. So which archetype are you?
PRCA published the latest PR and Communications Census yesterday and I couldn’t miss the opportunity to attend the launch event in the office of Golin London to learn about its findings.
The Census covers an industry that’s in good health – there are now more than 86,000 PR practitioners in the UK – but it also reveals some disturbing trends.
The PR industry remains predominantly female. Danny Rogers, Editor of PRWeek, talked about the 90s stereotype that if you are a woman in the PR industry, you will organise parties just like Absolutely Fabulous. But it’s not the 90s any more. Our industry has made significant progress since the social media boom, he said. PR ideas transform businesses now – just look at the Fearless Girl female empowerment campaign. But even though the industry has moved on – and 66 per cent of PR practitioners are women – there is still 21 per cent gender pay gap in the sector.
Another finding that struck me was that 12 per cent of PR professionals still use the relatively outdated AVEs to measure their activities. If we cannot accurately measure what we do, how can we expect people to invest in us? I am happy that Red Setter, where I am currently on placement, is in line with 24 per cent of our fellow practitioners (according to the census) by basing our evaluation on the Barcelona Principles 2.0.
Francis Ingham, the Director of PRCA, pointed out the increasing diversity of the industry, with more representation from the LGBT, minority and disabled communities than ever before. He said the PRCA is working hard to provide a good working environment for this diverse community, as well as tackling the gender pay gap and creating a measurement system that proves PR’s worth to a sceptical world.
Francis concluded by celebrating the balance he sees in the PR industry, with traditional PR – which includes media relations and reputation management – working hand-in-hand with the ‘new’ PR centred on digital channels and social media.
What a time this is to be working in the PR industry!
Established around 60 years ago, Cannes Lions is the world’s biggest festival and awards programme for the creative and marketing communications, entertainment, design and tech industries. When we heard they’d be announcing some big changes, we were intrigued to know what was changing and why so we went to find out.
Co-organised with the PRCA and held in the amazing offices of Ogilvy PR – with its stunning panoramic view of central London – the event was hosted by Fiorenza Plinio, head of business development at Cannes Lions, who ran through the big changes that everyone was waiting to hear.
The worlds of PR, advertising and marketing must constantly change to stay relevant. Cannes Lions must change with them to reflect the creative communication industry properly, she said.
For agencies thinking of entering the awards, it will come as a relief to learn that the 120 old sub-categories have been removed, so the process of applying has been greatly simplified. Instead, the awards are split between nine ‘tracks’, within which you’ll find all the award categories. So, for example, the PR Lions fall within the Reach track as they focus on building engagement and influence.
One thing that particularly impressed me was the new Sustainable Development Goals Lions. As you may have heard, the United Nations introduced 17 Sustainable Goals in 2017 to tackle world issues such as poverty, gender inequality and climate changes. The Cannes Lions have introduced the same categories to encourage brands and agencies to raise awareness about them – and all fees paid for these entries will be donated to the UN to support their work in these areas.
As the event was co-organised by PRCA, there was a particular focus on the PR Lions. Fiorenza called PR “the hottest industry” and said it stands for building engagement. She said the three most important things for a PR campaign are purpose, brand value and offline content that goes viral. She cited the “Fearless Girl” statue in Manhattan, which she described as a simple and brave, but effective idea. She encouraged more PR agencies to enter the Cannes Lions Awards because, she said, creativity in PR matters and should be celebrated. Here at Red Setter, we couldn’t agree more – creativity in PR really does matter and we strive to include it in everything we do for our clients.
During the Q&A session, this year’s head of the PR Lions Jury, Stuart Smith, global CEO of Ogilvy PR, and director of social media at Hill + Knowlton, Candace Kuss, discussed the future of PR. No one really knows which way the wind is going to blow or how the industry will change but Stuart said something that was music to my ears: “PR should be part of the whole creative process, from gathering insights and analysing, through creating the strategy, to executing the campaign.”
Hi there! Welcome to my blog about PR and things that I find fascinating.